38 Royalty-Free Audio Tracks for "Fading Sound"

Waves fading and waves fading out.

Fading sound from the act of rubbing rocks.

10 second river sound fading in and out.

Piano sound fading away.

Squared sound. Fading out. N.

30 second fade in of white noise, made in audacity!. I decided to create the sound of a fading white noise, sounding like static noise fading in.

Slowly rising and fading synthetic bomber sound.

A sound made for http://trigger-rally. Sourceforge. Net/. Made in audacity using original sound http://www. Freesound. Org/people/sagetyrtle/sounds/40158/ and adding bass-boosted, fading-out white noise.

Processed pad sound with reverb and delay fading into the background. Has a dreamy ethereal quality.

This is a small plastic click made by removing an ethernet wire from a socket. Recorded using zoom h2n. Sound processed using audacity (noise removal, fading).

I created this sound effect using chiptone. You don't need to credit me. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.

Breathing sound effect i created for a recent production of carries war. The sound is originally 40 seconds long but looped, as the play requires the sound fx to be present throughout a number of scenes fading in and out. If you would like any other sounds for this production that i have created please let me know.

Let it rain thunder is a sample of the passing of a storm recorded in late 2014 sydney australia. It is a 14 minute mp3 that features the sound of rain gradually getting stronger and stronger before sounds of rolling thunder and cracking thunder and the sound of rain fading out.

A preset sound that was made withsubtractor in reason. It is a 1 osc square with fequency fading. There is also delay and reverb in this loop.

I hit the body of the guitar while holding a d chord shape (in standard tuning). You will hear the chord trailing and fading out after the guitar hit.

The sound is a contact mic'ed piece of pvc pipe which has a drawstring from a pair of shorts tied to it. The sound is the drawstring being plucked. It's could be good for bass lines. The sound was processed slightly in goldwave (some noise reduction/eq adjustments/fading).

A droning science fiction or haunting horror spooky droning sound with a wahwah fading in and out several times. Great for halloween. Recorded on a samsung galaxy s3 (processed in audacity).

20 approximate over tones of a 440hz sounded by fading in and out them one by one; they ovelap. At first it resembles overtone singing, but the a, fundamental tone fades out very quickly. May sound annoying.

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.

Sound effect for a person running away (3 of 3). Two other, similar sound effects and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

Sound effect for a person running away (2 of 2). A similar sound effect and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

A fading in white noise sound, for use as transition or a crescendo. I was trying to imitate the sound when you wake up in the video game "outer wilds" (an example: https://youtu. Be/zy5heapfjqw?t=5402 ) this sound was made by blowing to a microphone, slightly processed.

This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and it use for any project. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.

Sound effect for a person running away (1 of 2). A second version and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

I took the sound "arpasauro atmo" from thalamus_lab and stretched it + fading in and out, because i needed a longer version. I just love the atmosphere it creates! the gong at the beginning transmuted into some kind of a mystical choir and at the end the short squeaking turned into some kind of a slow door groan. . Maybe you can use it too!. Https://freesound. Org/people/thalamus_lab/sounds/237872/.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

Recording is a 24 bit stereo wav file. Literally using a "motivational speaker" tape found in a box (full of several more of these god awful things!) while digging through the neighborhood trash to test out and setup a pitch-shifted vocal patch for my noisecore project. Effects used: danelectro fish & chips eq, korg ax3g multi-effect, and alesis nanoverb direct to sound card. Processed in goldwave(compression to reduce peaks and fading on the beginning/end. ).

A music part i did in garageband for a thing called victors crypt. I started with the drums. Once i made a beat i liked i added a choir singing "fading into the night". After that i added more synth-sounds and guitar to make it feel more spooky. Would suit anything creepy i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!//v. Natas.

A technical problem i had with my technics stereo cassette desk rs-5 where playback would deliver this fading squarewave at maximum volume. Apparently, it could have been an issue with the tape header wearing out. Thought i might as well upload it here, as i'm not sure anyone will be able to create this sound again. Note, this sound was de-amplifiied by 10 db in audacity 3. 1. 3. Simply put, the raw file was incredibly loud. If you're curious enough, you can increase it back up to its original volume, though i wouldn't advise it.

An almost similar snare sound to that of idioteque in radiohead's 2000 album kid a. Though it is meant for experimental style, i think it would work with any form of electronic music. It was created by resonating noise from audacity, filtering it, fading it out, stretching it and compressing it. It has a characteristic sustain to it. Imagine it as a mix of a gunshot, cymbal, shaker and snare. Feel free to use it in any way you like. If you ever use it publicly or commercially, notify me so that i can hear how you used it.

A recording of flushing the toilet’s water, followed by a groaning door closing sound. Production stages : this sound was originally recorded by a group of students at university lyon 3. Then it was imported to audacity where few modifications were made. First of all, the record was precisely cut so there are no human voices in the background. Then, the sound was normalized and slightly compressed before applying the noise reduction effect. Last, but not least a constant gain was added at the beginning and lightly fading effect took his place at the end. Son du type x (continu complexe)c’est un groupe nodal des sons saturés avec une hauteur variée, suivis d’un bruit d’une haute hauteur. Le son est cannelé et constant et finisse par le son de la porte qui est métallique et aigul’attaque du son est rapide et forte, plutôt abrupte. Le grain est frémissement et rugueuxet l’allure est naturelle, désordonnée et aléatoire.

This is a very quick and dirty lo-fi recording of a very unsettling noise i am currently hearing outside of my 2nd story bedroom window. I have no clue what it could be. I have lived here for over a decade and never heard this sound. It's like wind, but it keeps fading in and disappearing again. When it starts, it sounding like very rapid, almost whistling, shallow breathing. I can't imagine what is making this sound, but it's pretty unnerving, and i'm too creeped out to open the curtains. I'm hoping someone can recognize this and tell me what this is because i'm starting to get very uncomfortable after about 10 minutes of hearing this on and off again. I am attempting to record it as it happens, so i've got several recorded instances of this if you want to hear more of it.

Early spring thunderstorm in north central oklahoma recorded on 05/02/2018 starting at about 9:30 pm cdt. Recorded in the middle of the country by placing a mic outside the man cave window of my house. The storm starts with light rain and some medium distance thunder. At about 4:00 mins the wind starts to pick up and by 5 mins the wind sound drowns out everything else (50-60 mph gusts). By 6:00 mins the wind is fading as the storm front passes. By 9:00 mins it’s just soft rain and occasional thunder. At about 13:00 mins, the thunder starts picking up a bit. At about 17:00 mins it starts raining harder again, with occasional thunder, until the end. A couple of human noises were edited out, and noise reduction was applied.

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

10. 005 seconds of ocean sounds with 3 seconds of fading in and out. Normalized by -3db.

An other attempt at making a wind noise, by layering different noises and fading between them. This one sounds like there's a helicopter in the background.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Infinitely evolving drone made with ableton and a combination of freeware synths. Sounds a bit like throat singing. Pitch changes are synced to 20bpm. No audio processing has been done other than cross fading.